in effigie

somehow on

till nohow on

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the archive

the random

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the philosophy

Carl Sagan: Pale Blue Dot - about the famous picture taken by Voyager 1 from a distance of 6 billion kilometres

Jackson Pollock, August 11, 1956 from Dean Rogers: Death Drive 
“Rogers took the images on the anniversary of the deaths, at the exact time of day they occurred, and in the precise position the car was before impact. Whereas some of the final photographs are rendered atmospheric by darkness, many reveal the rather banal landscape witnessed by the subjects in the final seconds before their deaths. The series includes the deathplaces of artists and writers including Jackson Pollock, Albert Camus and Helmut Newton, and musicians such as Marc Bolan and Eddie Cochrane.”  (via Creative Review)

Jackson Pollock, August 11, 1956 from Dean Rogers: Death Drive “Rogers took the images on the anniversary of the deaths, at the exact time of day they occurred, and in the precise position the car was before impact. Whereas some of the final photographs are rendered atmospheric by darkness, many reveal the rather banal landscape witnessed by the subjects in the final seconds before their deaths. The series includes the deathplaces of artists and writers including Jackson Pollock, Albert Camus and Helmut Newton, and musicians such as Marc Bolan and Eddie Cochrane.” (via Creative Review)

Carl Sagan ft Stephen Hawking: A Glorious Dawn (Auto-Tune Remix)

Mathematics, the proud tree with its wide crown freely unfolding in the air, actually draws with a thousand roots its force from the soil of intuition and imagination. It would therefore be fatal, if one cut it with the shears of petty utilitarianism, or if one wanted to dig it up from the soil whence it springs. Hermann Weyl
Andrew Bird Poster by Methane Studios (via grain edit)

Andrew Bird Poster by Methane Studios (via grain edit)

ordover:

Tom Waits - “God’s Away On Business”

There’s leak, there’s leak, in the boiler room

bildungsroman:

Google reinvents the newsstand
Eclecticism is the degree zero of contemporary general culture: you listen to reggae; you watch a western; you eat McDonald’s at midday and local cuisine at night; you wear Paris perfume in Tokyo and dress retro in Hong Kong; knowledge is the stuff of TV game shows […] Together, artist, gallery owner, critic, and public indulge one another in the Anything Goes - it is time to relax. But this realism of Anything Goes is the realism of money: in the absence of aesthetic criteria it is still possible to measure the value of works of art by the profits they realise. Jean-François Lyotard: The Postmodern Explained: Correspondence 1982-1985

ordover:

Synesthesia - A short film by Terri Timely
The fact remains that getting people right is not what living is all about anyway. It’s getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That’s how we know we’re alive: we’re wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that – well, lucky you. Philip Roth: American Pastoral

Experimental covers by Michael Kosmicki for a Faber & Faber collection of film books (via Fubiz).

[Flash 9 is required to listen to audio.]

Margie Brandon: Sunday Morning Coming Down

Bram van Velde, photographed by Marc Trivier

Bram van Velde, photographed by Marc Trivier